A classic herringbone coat, structurally intact, interrupted by instinct.

The original garment was already complete — fully lined, beautifully tailored, traditionally composed. Its pattern carries order, rhythm, and restraint. Polished silver buttons punctuate the front, reinforcing its classic, almost formal character.

I chose not to redesign it.
I chose to disturb it.

The left side remains quiet. I followed the herringbone itself, allowing the red thread to move in dialogue with the existing weave — respecting its direction, responding to its logic.

The right side becomes the opposite: a controlled chaos. There was no sketch. No mapped plan. The composition evolved as I worked — guided by emotion, by lived disorder, by the tension between structure and impulse. 

Hand-crocheted flowers, made from 100% alpaca yarn, emerge and connect through a continuous red line. Each element was placed instinctively, not measured. The intervention concludes where the title is stitched — a subtle archival mark at the lower back.

Additional materials were introduced at the sleeves, hem, and neckline — lace and textural details that bring a quiet romantic undertone to the piece. These touches are intimate rather than decorative; they reveal themselves only upon proximity.

Approximately 50–60 hours of hand work.

The original coat remains present.
But it is no longer the same.

Numbered No.01.
Signed at the back of the neck.
One of one